Our Daily Practice
1 2 3 4 Next

Terra Sigillata and Slips in Woodfiring
Alan Willoughby, studio potter from southern New Jersey, USA, and Executive Director of the Perkins Center for the Arts, Moorestown, NJ, describes his technique of making work with terra sigillatas and slips in a woodfire kiln.

How to Throw a Large Pot
Edouard Bastarache has dug around in his archives and produced this evergreen pictorial description of how to throw a large, narrow-necked vessel.

Make Your Own Clay Whistle
Chris Henley demonstrates in easy steps how to make your own clay whistle, similar to the Ocarina, which dates back 10,000 years.

Reducing in an Electric Kiln
Those of you who own electric kilns may well know that reducing is not recommended in them. Find out how to do reduction glazes without damaging your kiln.

Economic Factors and Potters
A challenging article by Jeff Zamek on the economic factors governing pottery production for the studio potter.

Enhancing Images with Decals
Harriot Gamble describes Rimas Visgirda's technique of making your own decals.

Raku Glazes by Irene Poulton
Australian raku artist Irene Poulton shares with us some of her tried and trusted raku glazes.

Specimens of Osmosis
An article by Tina Lee on the amazing effects of watersoluble metal salts on ceramics by way of osmosis.

2nd World Ceramic Biennale, 2003 Korea
This International Competition with a Grand Prize money of US$23,000 will be held in Icheon, Gyeonggi Province, Korea for 60 days from Sep. to Oct. 2003.

Mocha Diffusions
A little known ceramic decorative technique that originated in Britain in the 18th century.

More Articles